View allAll Photos Tagged Pin Up
Sesion Pin Up
Modelo: Jimena Alarcón
Maquillaje: Sizul Vigo
Vestuario: Lovethis
Video: Joper Belico
#freddyonaja
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I have made a Pin Up series with strong colors in the 1950 style and I think I was very exciting.
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Model: Julia Regina Victoria
MUA: Merve Kilickaya
Hairdresser: Aycha Jaiisz
Location: Koninklijke Luchtmacht Historische Vlucht
Italian postcard by Bromofoto, Milano, no. 1213. Photo: Edizioni Economiche Romana.
Donna Reed (1921-1986) was an American film, television actress, and producer. Her career spanned more than 40 years, with performances in more than 40 films. She is well known for her role as Mary Hatch Bailey in It's a Wonderful Life (Frank Capra, 1946). She received the Oscar for Best Supporting Actress for her role as Lorene Burke in the war drama From Here to Eternity (Fred Zinnemann, 1953). Reed is also known as Donna Stone, a middle-class American mother, and housewife in the sitcom The Donna Reed Show (1958–1966).
Donna Reed was born Donna Belle Mullenger on a farm near Denison, Iowa, in 1921. She was the daughter of Hazel Jane and William Richard Mullenger. The eldest of five children, she was raised as a Methodist. In 1936, while she was a sophomore at Denison (Iowa) High School, her chemistry teacher Edward Tompkins gave her the book How to Win Friends and Influence People. Upon reading it she won the lead in the school play, was voted Campus Queen, and was in the top 10 of the 1938 graduating class. After graduating from Denison High School, she decided to move to California to attend Los Angeles City College on the advice of her aunt. While attending college, she performed in various stage productions, although she had no plans to become an actress. After receiving several offers to screen test for studios, Reed eventually signed with MGM. Reed made her film debut in The Get-Away (Edward Buzzell, 1941). She had a support role in Shadow of the Thin Man (W. S. Van Dyke, 1941) and in Wallace Beery's The Bugle Sounds (S. Sylvan Simon, 1942). Like many starlets at MGM, she played opposite Mickey Rooney in an Andy Hardy film, in her case the hugely popular The Courtship of Andy Hardy (George B. Seitz, 1942). Reed starred in the drama Calling Dr. Gillespie (Harold S. Bucquet, 1942), featuring Lionel Barrymore, and Apache Trail (Richard Thorpe, 1942). Then she did a thriller with Edward Arnold, Eyes in the Night (Fred Zinnemann, 1942). Reed had a support role in The Human Comedy (Clarence Brown, 1943) with Mickey Rooney, a big film for MGM. She was one of many MGM stars to make cameos in Thousands Cheer (George Sidney, 1943). Produced at the height of the Second World War, the film was intended as a morale booster for American troops and their families. Her "girl-next-door" good looks and warm onstage personality made her a popular pin-up for many GIs during World War II. She personally answered letters from many GIs serving overseas. She was in the Oscar Wilde adaptation The Picture of Dorian Gray (Albert Lewin, 1945) and played a nurse in John Ford's They Were Expendable (1945), opposite John Wayne. MGM was very enthusiastic about Reed's prospects at this time. Reed was top-billed in a romantic comedy Faithful in My Fashion (Sidney Salkow, 1946) with Tom Drake which lost money. MGM lent her to RKO Pictures for the role of Mary Bailey in Frank Capra's It's a Wonderful Life. The film has since been named as one of the 100 best American films ever made by the American Film Institute and is regularly aired on television during the Christmas season. Back at MGM, she appeared in Green Dolphin Street (Victor Saville, 1947) with Lana Turner and Van Heflin. It was a big hit. Reed was borrowed by Paramount to make two films with Alan Ladd, Beyond Glory (John Farrowm 1948), where she replaced Joan Caulfield at the last moment, and the Film Noir Chicago Deadline (Lewis Allen, 1949). In 1949 she expressed a desire for better roles.
In 1950, Donna Reed signed a contract with Columbia Studios.[ She appeared in two Film Noirs which teamed her with John Derek, Saturday's Hero (David Miller, 1951), and Scandal Sheet (Phil Karlson, 1952). Reed was the love interest of Randolph Scott in the Western Hangman's Knot (Roy Huggins, 1952), then was borrowed by Warner Bros for the comedy Trouble Along the Way (Michael Curtiz, 1953) with John Wayne. She was loaned out to play John Payne's love interest in Raiders of the Seven Seas (Edward Small, 1953). Reed played the role of Alma "Lorene" Burke, the girlfriend of Montgomery Clift's character, in the World War II drama From Here to Eternity (Fred Zinnemann, 1953). The role earned Reed an Oscar for Best Supporting Actress for 1953. The qualities of her parts did not seem to improve: she was the love interest in The Caddy (Norman Taurog, 1953) with Dean Martin and Jerry Lewis at Paramount; the Western Gun Fury (Raoul Walsh, 1953) with Rock Hudson; and the Western Three Hours to Kill (Alfred L. Werker, 1954) with Dana Andrews. Reed returned to MGM to act in the romantic drama The Last Time I Saw Paris (Richard Brooks, 1954) with Elizabeth Taylor. Reed began guest-starring on television shows such as The Ford Television Theatre, Tales of Hans Anderson, General Electric Theater, and Suspicion. She continued to appear in features, usually as the love interest, in The Benny Goodman Story (1956) with Steve Allen, playing Goodman's wife; Ransom! (1956) as Glenn Ford's wife; the Western Backlash (1956), with Richard Widmark. In Kenya, she filmed Beyond Mombasa (1957), with Cornel Wilde. She was injured while making the film. In England, she shot The Whole Truth (1958), with Stewart Granger. From 1958 to 1966, Reed starred in The Donna Reed Show, a television series produced by her then-husband, Tony Owen. The show featured her as Donna Stone, the wife of pediatrician Alex Stone (Carl Betz) and mother of Jeff (Paul Petersen) and Mary Stone (Shelley Fabares). Reed was attracted to the idea of being in a comedy, something with which she did not have much experience. She also liked playing a wife. The show ran for eight seasons. Reed won a Golden Globe Award and earned four Emmy Award nominations for her work on the series. Later in her career, Reed replaced Barbara Bel Geddes as Miss Ellie Ewing Farlow in the 1984–1985 season of the television melodrama Dallas. When she was abruptly fired upon Bel Geddes' decision to return to the show, she sued the production company for breach of contract. From 1943 to 1945, Donna Reed was married to make-up artist William Tuttle. After they divorced, in 1945 she married producer Tony Owen. They raised four children together: Penny Jane, Anthony, Timothy, and Mary Anne (the two older children were adopted). After 26 years of marriage, Reed and Owen divorced in 1971. Three years later, Reed married Grover W. Asmus, a retired United States Army colonel. They remained married until her death in 1986. Donna Reed died of pancreatic cancer in Beverly Hills, California, in 1986, 13 days shy of her 65th birthday. Her remains are interred in the Westwood Village Memorial Park Cemetery in Los Angeles.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Classy ebony girl in a old fashioned pin-up pose and retro outfit.
Srobist info:
used Norman studio lighting system with 4 strobes.
man, one soft box at camera left; fill, umbrella further back camera right; low background light left; 1 snooted hair light right
Una pin-up es una modelo cuyas fotografías figuran, principalmente, en las portadas de las revistas o en calendarios, etc. La expresión "pin-up" se popularizó en los EE. UU. en los años 1940, y, luego, se fue haciendo popular internacionalmente. Con este nombre se conocen las fotografías o dibujos de chicas bonitas en actitudes sugerentes o, incluso, nada más que con una sonrisa, o saludando, o mirando a la cámara fotográfica, etc. Su éxito fue tan rotundo que con el tiempo han llegado a influir en muchos terrenos, como el cine, la televisión, la publicidad, los cómics, etc.
Pin-up é sexy sem ser vulgar, não tem a neurose da estética da magreza e não precisa mostrar tudo para mexer com a imaginação dos homens
Selportrait
En dias pasados hice una sesion de fotos con este rollo "pin up" habia hecho fotos de estilo pin up pero selfis nunca el resultado no dire que me encanto pero me gusto con la claridad que veo muchos puntos claves a la hora de fotografiar :)
feliz domingo amigos y feliz dominfo flickr♥
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In recent days did a photoshoot with this stuff "pin up" photos had done with the roll pin up but never the result selfportrait not tell you that I loved but I like the clarity I see many key points when photograph: )
Happy Sunday friends and happy Sunday flickr ♥
Thanks for the view.
This is her first nude photo shoot.
Watch my brand new Boudoir video on Youtube with my best work: Boudoir video HD Ryefoto
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Model: Diana
Make Up Artist: Agnes Gyongyosi
Hair Stylist: Saviola Gurakuqi
My Camera Settings:
Nikon D700
Nikkor 35mm f/ 2 AF D...at f/ 8
M.M. Spot
E.P. Manual
W.B. Manual
ISO 100
Shutter Speed 1/125
Strobist Info:
- SB 900 (24mm) on right bounce to 109cm umbrella with black cover at 1/4!
- YN 560 II (105mm) left behind on the wall (down) with a Purple Gels at 1/32!
A personal thanks to Cristian (that man www.flickr.com/photos/14337178@N08/2811004770/in/set-7215...) for your beautiful pub so kindly for hosts us...Johnny Be Good's
American postcard by Fotofolio, NY, NY, no. GG17. Photo: Greg Gorman. Caption: Raquel Welch, Los Angeles, 1988.
Today, 15 February 2023, American actress and sex symbol Raquel Welch (1940) has died at the age of 82 after a short illness. She was one of the icons of the 1960s and 1970s. Welch first won attention for her role in Fantastic Voyage (1966). In Great Britain, she then made One Million Years B.C. (1966). Although she had only three lines in the film, a poster of Welch in a furry prehistoric bikini became an amazing bestseller and catapulted her to stardom.
Raquel Welch was born Jo Raquel Tejada in 1940 in Chicago, Illinois. She was the first of three children born to Bolivian Armando Carlos Tejada Urquizo, an aerospace engineer, and his Irish-American wife Josephine Sarah Hall, who was the daughter of American architect Emery Stanford Hall. At age 14, Raquel won her first beauty title as Miss Photogenic. She graduated from high school in 1958 and a year later, after becoming pregnant, she married her high school sweetheart, James Welch. Seeking an acting career, Welch won a scholarship in drama, took classes at San Diego State College and won several parts in local theatre productions. She got a job as a weather forecaster at KFMB, a local San Diego television station. After her separation from James Welch, she moved with her two children to Dallas, Texas, where she worked as a model for Neiman Marcus and as a cocktail waitress. In 1963, she went to California, where she met former child star and Hollywood agent Patrick Curtis who became her personal and business manager and second husband. They developed a plan to turn Welch into a sex symbol. After small roles in a few films and TV series, she had her first featured role in the beach film A Swingin' Summer (Robert Sparr, 1965). She landed a seven-year nonexclusive contract at 20th Century Fox and was cast in a leading role in the sci-fi film Fantastic Voyage (Richard Fleischer, 1966) opposite Stephen Boyd. Welch portrayed a member of a medical team that is miniaturized and injected into the body of an injured diplomat with the mission to save his life. The film was a hit and made her a well-known name. Fox Studio loaned her to Hammer Studios in Britain where she starred in One Million Years B.C. (Don Chaffey, 1966). Her only costume was a two-piece deer skin bikini. Gary Brumburgh at IMDb: "Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time."
Raquel Welch stayed in Europe for the French comedy Le Plus Vieux Métier du monde/The Oldest Profession (Michael Pfleghar a.o., 1967), a typical European anthology film of the 1960s. A collection of sketches on prostitution through the ages, made by a pan-European cast and crew. Some of the most sensual stars of the era played the leads: Michèle Mercier, Elsa Martinelli, Anna Karina, Nadia Gray, Jeanne Moreau and Welch. She played Nini in the episode La belle époque/The Gay Nineties by German director Michael Pfleghar. When Nini discovers by accident that her antiquated customer (Martin Held) is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo! Varlaam at IMDb: "Raquel Welch stars in the most amusing episode, relatively speaking. It's apparently set in the 1890s Vienna (Emperor Franz Josef is on the paper money). One could probably say that Raquel's greatest classic role was as the injured party in the Cannery Row lawsuit. Finely nuanced she was not, normally. But she makes an appealing light comedienne here, and she can really fill a lacy Viennese corset. The Belle Époque it assuredly was." Next, she appeared in the British seven-deadly-sins comedy Bedazzled (Stanley Donen, 1967). She played the deadly sin representing 'lust' for the comedy team of Peter Cook and Dudley Moore. In Britain, she was also the title secret agent in the sexy spy spoof Fathom (Leslie H. Martinson, 1967). In Italy, she starred with Monica Vitti and Claudia Cardinale in Le Fate/The Queens (Mauro Bolognini, 1966) and with Edward G. Robinson and Vittorio de Sica in The Biggest Bundle of Them All (Ken Annakin, 1968). Back in the United States, she appeared in the Western Bandolero! (Andrew V. McLaglen, 1968) with James Stewart and Dean Martin, which was followed by the private-eye drama Lady in Cement (Gordon Douglas, 1968) with Frank Sinatra. She caused quite a stir in her ground-breaking sex scenes with black athlete Jim Brown in the Western 100 Rifles (Tom Gries, 1969).
Raquel Welch's most controversial role came in the comedy Myra Breckinridge (Michael Sarne, 1970), based on Gore Vidal's 1968 novel. She took the part of the film's transsexual heroine in an attempt to be taken seriously as an actress. The picture was controversial for its sexual explicitness, but unlike the novel, Myra Breckinridge received little to no critical praise. It is cited in the book The Fifty Worst Films of All Time. Jason Ankeny at AllMovie: "Her situation was unusual; she was certainly a star and a household name, yet few people ever went to see her movies." Welch took a measure of control over her screen persona, producing and starring in Hannie Calder (Burt Kennedy, 1971), the first film in which she carved out a place in movie history portraying strong female characters and breaking the mould of the submissive sex symbol. She altered the image further with Kansas City Bomber (Jerrold Freedman, 1972), insisting on doing her own stunts as good-hearted roller derby star Diane 'KC' Carr. She followed that with a series of successful films in Europe that included the thriller Bluebeard (Edward Dmytryk, 1972) starring Richard Burton, the swashbuckler The Three Musketeers (Richard Lester, 1973) - for which she won a Golden Globe, the sequel The Four Musketeers (Richard Lester, 1974) both with Oliver Reed and Michael York, and The Wild Party (James Ivory, 1975). A big hit in Europe was the French action-comedy L'Animal/Animal (Claude Zidi, 1977) starring Jean-Paul Belmondo. Raquel Welch's unique persona on film made her one of the reigning icons of the 1960s and 1970s. Later, she made several television variety specials. In 1980, Welch planned on making a comeback in an adaptation of John Steinbeck's Cannery Row (David S. Ward, 1982), but was fired by the producers a few days into production. The producers said that at 40 years old she was too old to play the character. She was replaced with Debra Winger. Welch sued and collected a $10.8 million settlement. She starred on Broadway in Woman of the Year, receiving praise for following Lauren Bacall in the title role. She also starred in Victor/Victoria, having less success. In 1995, Welch was chosen by Empire Magazine as one of the 100 Sexiest Stars in Film History.
Sources: Jason Ankeny (AllMovie), Gary Brumburgh (IMDb), David Carless (IMDb), Bob Taylor (IMDb), Varlaam (IMDb), TCM, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Me as model.
Ph. Andrea A P H Puzzuoli
Editing by me.
Outfit, accessories, wig-styling and make-up by me.
Questa categoria di sex-symbol venne identificata col nome di pin-up, e appunto stava a indicare una categoria di splendide ragazze, sensuali e affascinanti, prive di quell'alone di mistero che aveva caratterizzato le "dive" degli anni trenta, elemento che contribuì di certo a conferire loro il favore del pubblico.
Le ho rappresentate con uno sfondo leggermente grunge retrò.